Macklemore Says "Culture Vulture" Narrative "Wasn't My Truth"

BY Erika Marie 1.8K Views
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ATLANTA, GEORGIA - DECEMBER 15: Macklemore performs onstage at iHeartRadio Power 96.1’s Jingle Ball 2022 Presented by Capital One at State Farm Arena on December 15, 2022 in Atlanta, Georgia. (Photo by Derek White/Getty Images for iHeartRadio)
After beating out Kendrick's "good kid m.A.A.d. city" for Best Rap Album at the Grammys, Macklemore has faced "culture vulture" accusations.

His contributions to Hip Hop were already controversial, but when Macklemore won a Grammy over Kendrick Lamar, he faced criticism unlike any other. It was in 2014 when The Recording Academy awarded Macklemore's The Heist the trophy for Best Rap Album over Lamar's acclaimed good kid m.A.A.d. city. It was a devastating loss for the then-Top Dawg Entertainment stand-out, and his fans haven't let up about it ever since. Although Macklemore emerged in the Pacific Northwest as an aspiring rapper, Hip Hop culture didn't fully welcome the Pop star with open arms.

In a new interview with HipHopDX, Macklemore talks about his latest album, BEN, as well as those 'culture vulture' accusations. “I think that it did hurt my feelings at the very beginning,” he told the outlet. “When ‘Thrift Shop’ was at its peak and the biggest song in the world, that’s when the think pieces started coming out around cultural appropriation, and one hit wonder, and all of this assessment and analysis.” Many years ago, Mack acknowledged that Hip Hop wasn't his culture. He was dedicated to obtaining a greater understanding, as many other white rappers have shared in the past.

Macklemore Sees The Shift

There was a time when white rappers seemed to be a novelty. Eminem's success imprinted him as a Rap GOAT, and several others have entered the arena as hitmakers. It's common for non-Black artists to crank out Hip Hop hits, but Macklemore recognizes this wasn't always accepted. “We were at a different place with whiteness in Hip Hop a decade ago,” he explained. “It was a very different time.” He added, “One thing that the criticism did, [it made me] dig deep into myself, and [I had] the realization that I don’t control who resonates with my art."

The rapper also shared that he isn't concerned with things he can't control. His "deep dive" was prompted by being "scrutinized by the world," and even though he apologized to Lamar about the Grammy moment, people didn't let up. "I’m like, ‘Oh my God.’ There’s only two ways out of this: stopping or accepting it.' Because whatever everyone else was saying about me wasn’t my truth. If I know myself, if I’m coming from a place of faith rather than fear, if I’m coming from radical love versus hatred, if I’m coming from a place of, ‘This is authentically me, take it or leave it,’ it’s not my business what the final decision is. That’s it. I don’t control other people’s perspective."

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About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.

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