Styles P Argues That 21 Savage Isn't A Lyricist

BY Erika Marie 13.2K Views
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2022 Essence Festival
NEW ORLEANS, LOUISIANA - JULY 03: Styles P of The Lox performs with The Roots during the 2022 Essence Festival of Culture at the Louisiana Superdome on July 03, 2022 in New Orleans, Louisiana. (Photo by Erika Goldring/Getty Images)
Styles likes 21 "a lot," but addressed his comments about Nas. "You ain't a three-point shooter from deep. Nas is."

If you thought Hip Hop was slowing down because it's the end of the year, Styles P is shaking things up. The controversy regarding 21 Savage's remarks about Nas' relevancy took over Hip Hop for a brief period. As conversations have dissipated, Styles shares his unfiltered thoughts about the hot topic.

"You can't hate the young fellas for being stupid," Styles said on My Expert Opinion. "If they sayin' illogical sh*t, that's our fault. Those that came before 'em, now we gotta pull back and see, where did we f*ck up."

Read More: 21 Savage Faces Backlash After Claiming Nas Is Irrelevant

Others chimed in, and as several voices overlapped one another during the discussion, The Lox hitmaker wanted to make his point clear.

"I like 21 Savage!" Styles declared. "I don't love him, I like him a lot lot. Don't love him, I like him a lot, lot, lot. The sh*t he say tickles me pink and I'm like, 'I can't believe this n*gga said that. It's dope.' I f*cks with him."

However, Styles switched things up with a passionate delivery.

"My n*gga, you not a lyricist. F*ck all that," he said. "Drake's supposed to tell this n*gga, 'N*gga, chill. That's Nasir. That's Nasir Jones.' My n*gga, you are talented, you are dope. You're f*ckin' fly, your flavor, you mean a lot to the culture. You are important... You ain't one of them. You ain't a three-point shooter from deep. Nas is."

Read More: 21 Savage Says He & Nas Planned To Collab Before “Irrelevant” Comments

Following the controversy, Nas released his 21 Savage collaboration, "One Mic, One Gun." It was a track that 21 later said was already in the vault. When announcing the single's release, Nas emphasized the need for more unity in Hip Hop, especially during tense moments.

“Only way we moving is with love, respect and unity,” Nas wrote. “The foundational principles of hip hop. Excited to collaborate with my young brother and I hope more artist use turbulent moments and turn them into a time to make new art. That’s what it’s about.”

About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.

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