Vince Staples Questions Why NBA Players From The Hood Aren't Targeted Like Rappers

BY Erika Marie 8.5K Views
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Vince Staples
He argued that labels perpetuate division & have been making millions off of the deaths of rappers, especially as they crank out posthumous albums for profit.

Complaints made about how record labels have handled artists' careers have permeated Hip Hop for decades. In recent years, as we see more social media stars receive their moments in the spotlight, those same rappers have returned to call out their labels for allegedly milking them for money. Many have stated that they haven't seen a dime from record sales or have never received a check from their labels. We've reportedly numerous times about artists publicly begging to be released from their contracts and several have been able to buy themselves out of their deals.

Aside from contract issues, others have accused certain labels and industry executives of using the traumas of marginalized communities for profit. Hip Hop has sadly seen dozens of artists lose their lives over the years, and those tragedies can make for big paydays for record labels.

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While Vince Staples visited Peter Rosenberg for an at-home interview, the conversation steered toward the topic of rappers being targeted for their fame and wealth, while stars in other industries with similar backgrounds move more freely.

"It's about how we carry ourselves and how we act, because think about NBA players. We know they got hundreds of millions of dollars, but they don't have that specific target on they back," he said. "And these players is from the hood... Chance The Rapper, we know he up, it's just the way he carry himself, nobody messes with him. So, we just gotta start treating each other with more love and respect as we can. I understand it's beef, I understand it's real out here, but we gotta realize why this is the thing—because it's money in it and they're gonna keep selling it and we gonna keep perpetuating it and we gon’ be hurt when somebody dies."

“I don’t necessarily know if they care. If they did, man, the album ready in four weeks once you die. And you get more press on the album you put out after you die," he added. "You get the radio, you get the marketing budget." Rosenberg chimed in to say that rapper's careers are now finding traction posthumously rather than when they were living.

“Because when it comes to these systems, they look at you like, ‘Oh, you’re dead, now we got something to move with.' We gotta realize as artists, it's not our fault, we gotta stop blaming each other, and we gotta start treating each other like we the problem," Staples responded. "We're operating in a system that has been like this since the 1950s when they was givin' n*ggas Cadillacs for they whole catalog. Like, it's the same thing."

The rapper also gave insight into how record contracts work. Check out the insightful interview below. 


About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.

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