Foolio Argues That Drill Isn't About A Sound, But It's "Gangster Sh*t Happening In The Streets"

BY Erika Marie 2.4K Views
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Foolio, Drill Rap
He also spoke defined who originated Drill and claims "it's different categories" to the genre.

You can't make a move in music without being confronted with the Drill takeover. Originating in Chicago, Drill has become one of the most influential styles in Rap worldwide as artists attempt to define specific sounds for their cities. U.K. Drill is a movement of its own, and the New York scene has become the next blossoming region to birth new artists hoping to become the next great Drill rapper.

For the past decade, there have been plenty of conversations and debates about Drill and its influence, and recently, Florida artist Foolio dropped off his take for those who continue to weigh in


"It's different categories of drill rap it's not just a beat," Foolio wrote. "If that's the point Chicago artists wasn't using New York type drill beats in 2011-2012 but it was still classified as drill rap they started that movement fasho ...every state got the own lingos and own styles of drill rap And without the streets and events that took place in the streets there would be no such things as drill rap."

"It didn't start from a certain instrumental it started from gangster sh*t happening in the streets," he continued. "And artists start rapping about drills , sliding , dead people etc in there songs that's wat made it drill rap it started in Chicago and expanded everywhere."

Recently, New York Mayor Eric Adams openly condemned Drill during a press conference and called for platforms to take down music and imagery from the genre that depicted violence. This was his response to complaints that Drill was the catalyst of rising gun and gang violence in New York.



About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.

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