Biracial Rapper Backs Out Of Festival After Learning "Non-POC" Were Charged More

BY Erika Marie 147.6K Views
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The festival later explained themselves.

Tiny Jag was excited when she was asked to be apart of the Detroit music concert, AfroFuture Fest. The biracial rapper calls Hitsville USA home, and to perform in her city was something that she looked forward to. However, after a friend sent her a photo of the festival's pricing rules, Jag was appalled at what she was seeing.

According to Detroit Metro-Times, AfroFuture was charging black customers less for their tickets than white customers. The screenshot Jag received was reportedly taken from Instagram that showed an "early bird POC" ticket as $10 while an "early bird non-POC" ticket was $20. Jag was irate. "I was immediately enraged just because I am biracial," she said. "I have family members that would have, under those circumstances, been subjected to something that I would not ever want them to be in...especially not because of anything that I have going on."

"A lot of the songs that I perform are from my first project called Polly — that is my grandmother’s name," Jag continued. "How do you want me to come to a performance and perform these songs off a mixtape that is titled after this white woman that you would have charged double to get in here? Like, it’s just outrageous from so many different angles."

The rapper also told the Metro-Times that she didn't like the message the festival was trying to make, even if it was meant to be progressive. Instead, Jag believes that it came across as spiteful and she didn't want anything to do with it. "It’s not fun to withdraw out of shows, especially at home, especially in your hometown, and especially when your supporters have been so good to you," she said. "It’s also not fun to do that to my fellow black women, like that sucks too. It sucks that this is a thing that’s put a wedge here."

The Metro-Times reports that AfroFuture declined to give them a comment, but the concert officials took to their Eventbrite page to explain why they decided to switch up their price points for festivalgoers.

Equality means treating everyone the same

Equity is insuring everyone has what they need to be successful

Our ticket structure was built to insure that the most marginalized communities (people of color) are provided with an equitable chance at enjoying events in their own community (Black Detroit).

Affording joy and pleasure is unfortunately still a privilege in our society for POC and we believe everyone should have access to receiving such.

We've seen too many times orgasmic events happening in Detroit and other POC populated cities and what consistently happens is people outside of the community benefiting most from affordable ticket prices because of their proximity to wealth.

This cycle disproportionately displaces Black and brown people from enjoying entertainment in their own communities.

As an Afrofuturist youth lead initiative the voices of our youth inform our resistance.

Here's what they have to say

"If you don't see my Blackness, you don't see me. Periodt!"


About The Author
Since 2019, Erika Marie has worked as a journalist for HotNewHipHop, covering music, film, television, art, fashion, politics, and all things regarding entertainment. With 20 years in the industry under her belt, Erika Marie moved from a writer on the graveyard shift at HNHH to becoming a Features Editor, highlighting long-form content and interviews with some of Hip Hop’s biggest stars. She has had the pleasure of sitting down with artists and personalities like DJ Jazzy Jeff, Salt ’N Pepa, Nick Cannon, Rah Digga, Rakim, Rapsody, Ari Lennox, Jacquees, Roxanne Shante, Yo-Yo, Sean Paul, Raven Symoné, Queen Naija, Ryan Destiny, DreamDoll, DaniLeigh, Sean Kingston, Reginae Carter, Jason Lee, Kamaiyah, Rome Flynn, Zonnique, Fantasia, and Just Blaze—just to name a few. In addition to one-on-one chats with influential public figures, Erika Marie also covers content connected to the culture. She’s attended and covered the BET Awards as well as private listening parties, the Rolling Loud festival, and other events that emphasize established and rising talents. Detroit-born and Long Beach (CA)-raised, Erika Marie has eclectic music taste that often helps direct the interests she focuses on here at HNHH. She finds it necessary to report on cultural conversations with respect and honor those on the mic and the hardworking teams that help get them there. Moreover, as an advocate for women, Erika Marie pays particular attention to the impact of femcees. She sits down with rising rappers for HNHH—like Big Jade, Kali, Rubi Rose, Armani Caesar, Amy Luciani, and Omerettà—to gain their perspectives on a fast-paced industry.

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